Monday, February 23, 2009
Tuesday, February 17, 2009
Where are the poets today? No, pardon me let me re-phrase this question. Where are the love poets of today? It is quite possible that I am looking in the wrong places but as of late the poetry I have heard and seen is all about stage posturing and cute flip flop word plays. Now, that this is not my cup of tea in no way negates the power or refutes the authenticity of these poets. No, but I just want to know where the love poems of today are. Does all poetry have to have an agenda? Race related, poverty related, I got the society blues related?
I ask again: Where are the poets of today? The love poets? Are we so hardened and cynical that we no longer need or desire to hear the words of love spoken? Do we present such an unlovable presence that the world no longer has a want to hear tender words spoken? Has Hallmark and the other corporations who have made things like Valentines a money making fiasco also jaded us to the point where we wouldn’t know good love verse if it jumped up and bit us in the ass?
Is it that poetry doesn’t pay? And our poets have now become lyricists? Writing and fronting music bands? Did Leonard Cohen set the pace when he crossed over from poet to singer?
And what if none of it really mattered at all? What if this is all some kind of randomness that we can’t see through anyways? What if there is nothing? Truly nothing to live for except life? Would we be able to recognize such a mediocre idea as this?
Thursday, February 12, 2009
From 6 in the 1st line:
"By growing used to what is dangerous, a man can easily allow it to become part of him. He is familiar with it and grows used to evil. With this he has lost the right way, and misfortune is the natural result."
Wednesday, February 11, 2009
One day up in heaven St. Peter has to go and run some errands so he asks Jesus if he would mind watching the gate for the afternoon. Jesus says no problem. Jesus is sitting there and an old man approaches. Jesus says hello, what good things have you done on earth to make you think that you should enter the gates of heaven? The old man says well, it's not so much what I have done. I am but a humble carpenter. But my son, my son brought much happiness and joy to the world and was known and loved by many. At hearing this Jesus throws his arms around the old man and cries out Father! Father! The old man replies Pinocchio?
Tuesday, February 10, 2009
The non-stop bombardment of image and sound that repeats and echoes itself ad nauseum. We are a society of sameness and sound-clip communication. I am not beyond this is any better than or hoiler than thou way. I am in it. I am of it.
What is the fascination, no, obsession of being lost in others' worlds? How does the writing of another hold me so fascinated, so stuck in a moment, so absolutely beyond my being? It is staggering. I reel. I rock.
How can I believe in others' words so completely? To think that I have had some similiar thing happen to me? Objective subjectivity. It's all about almosting. Almosting the feeling, almosting the emotion, almosting the scene... then we are one, one humanity. How can pain, like love, be felt in harmony? What does it matter? Is it about the fear of realizing we are alone, that communion, brother and sisterhoods are mere band-aids to the truth? What veil has been drawn that we have collectively allowed ourselves to believe in this? Happier times, childhood eyes filled with the fiction of living. How to live in this world? How not to? Mere muscle reflex is all that truly keeps me going.
Is there a term for life that is in the realm of alone that does not incur the idea of loneliness? Solitude? But with a positive light?
These are my 'day' thoughts. The ones that see the light of outside. Outside my cracked and dusty cranium.
Friday, February 6, 2009
I live in an inverted future; really my past.
I was broke, lonesome and my shoes were full of blood as I walked the cold streets of Paris. I walked miles and miles each day in order to save a few coins in order to gain entrance into another museum. To see masterpiece upon masterpiece until I thought no more tears could run down my face. No more pure joy could be transmitted into me without my becoming two people, there, then and permanently, to boot. It was a re-birth in the midst of one more light going out.
A trick to save money at the museums: go to the gift shop and look at the postcards of the collection. If there is a painting that you have to see live, well then you pay. If not you might buy a p.c. or two still coming out ahead from the admission price. Often the equivalent of a rewarding beer in a smoky and warm cafe nearby.
It's all about realizing that money and how it's saved and how it's spent is a very fluid motion. It must always be moving in order for more to come along. Logic that is.
Anyways, one of my days I arrived at the Musee de Picasso. I was enjoying it very much. Learning about and seeing a lot of his work in one place at one time. It wasn't until I came face to face with the painting "Man Eating an Ice Cream Cone" that I realized how very playful the masters, the true masters, the geniuses, truly are. Leading us along, showing us the way, or a way, and the power of their shared visions pulling us along like back-drafting a semi in a V.W. bus across the praries. Poetry. Belief. Harmony.
Some works are very much like a theatrical wink given so that nobody misses the irony or humour of the situation. What moxy! What chutzpah! What balls! Bravo! I cry out again Bravo!
For in all things I see 'it' in a flash. I also see the cheap imitations in a flash, a heartbeat. Transported to the heaven inspired heights and just as suddenly to fall to the depths of bad taste, mainfested misguided inspiration. (Bullocks!)
God, the mad deaf Ludwig knew it.
Sweet, beatitudinal Blake knew it.
Montreal's own Mordecai Richler knew it.
There is a long and worthy list of those that exalted in it.
I'll tell ya a secret. It could have only come from one thing, simply: LOVE.
Thursday, February 5, 2009
So, instead of a great big bang it would seem this beginning is going to be a slow one. My fingers are a bit itchy and the thoughts are knocking on the door to be let out but something is holding me back.
I'm going to think on it. I will return.